Thursday 4 February 2021

Attack on Titan II: End of the World



Cannily released as Attack on Titan: The Movie Part 2 in some territories, Attack on Titan II: End of the World is the feature film as a supplementary episode, essentially working as the third act of its predecessor. End is a short conclusion, chopped off then gussied up with exposition heavy reveals, a couple of betrayals, and far too many runtime-padding flashbacks. We are given access to this fallen world's secret history - projected on a wall for a brain-fried Eren - explicitly rooting the Titan series in grainy footage of 20th century experiment camps. The human body is positioned as pupal, the base component required for the thoughtless, ravenous, ogres. The rampaging threat then is biological, rather than mythological, a correction that seems crowbarred in to make sense of several characters with the newfound ability to spontaneously grow bone and blubbery mass around their screaming, human, bodies.

This strangely accessible update to the film's rules, coupled with the repetitive structural model, hobbles End of the World, taking more and more time away from the magic of Part 1's hook - my gang goes giant whaling. This new, faction based, drama completely muscles out the acute horror felt in the first episode, that of a profound upset in the food chain that has sent humanity spiralling to the bottom. Shinji Higuchi's previous Attack on Titan was Jack and the Beanstalk taken to a post-apocalyptic extreme; teenagers armed with swords and axes attempting to bring down an army of greedy, sexless, giants. End of the World is instead 80 minutes of melodramatic circling that must be endured on the way to, again, some wonderfully constructed kaiju battles. End of the Worlds' behemoths combine prosthetics, miniatures, pyrotechnics and computer generated effects to portray a violent post-human lifecycle - emaciated monsters with rictus grins come up against ginormous, volcanic, Body Worlds exhibits as well as an ossified twin that briefly transforms Higuchi's film into a belated sequel to The War of the Gargantuas

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