Showing posts with label Production IG. Show all posts
Showing posts with label Production IG. Show all posts
Saturday, 1 June 2013
KICK-HEART
Kickstarted anime from Masaaki Yuasa, the director of Mind Game and the animation director for Noiseman Sound Insect.
Lifted from Tannhauser Gatorade
Labels:
animation,
Kick-Heart,
Masaaki Yuasa,
Production IG
Tuesday, 12 February 2013
HEAVILY CYBORG
I never took the time to check out the TV series, but as a property Ghost in the Shell has always read to me as a morose feedback loop. Even Masamune Shirow's original fingerbang manga dwelt heavily on identity destruction and black ops dick measuring. In contrast this trailer for prequel series Ghost in the Shell: Arise seems to be a poppy repackage of a nostalgia property in the vein of Dragon Ball Kai. All aboard for cybernetic augmentation as a way to facilitate hyper-kinetic martial arts!
Monday, 25 January 2010
Ghost in the Shell 2.0
To coincide with the release of his latest feature The Sky Crawlers, director Mamoru Oshii revisits his 1995 production Ghost in the Shell, retuning the classic animated feature for (assumed) contemporary tastes. This update entails jettisoning entire sequences in their original cel form, replacing them with brief, computer generated inserts. The effect can be jarring, especially since some of these additions aren't particularly sophisticated. In certain shots, during the opening assassination, Kusanagi's figure presents as rounded and polished of detail. Aesthetically, it could be argued that Kusanagi's 'clean' appearance serves to further accentuate her status as a mostly artificial being. Kusanagi does look synthetic, moulded and airbrushed like a garish person shaped doll: a choice that prefigures many of the film's central themes of identity. A shame then that this layering occasionally registers as primitive. The new digital intrusions work best when visualising the vast, all-consuming information mindscapes. What existed previously as blocky green readouts are now a seething, autumnal deluge. If the intention of this update was to salve near-sighted speculation on the future's technologies, then these unfathomable information clouds do succeed. The change of hue also creates a technological through line between this Ghost in the Shell and its sequel Innocence; as well as differentiating this piece from the heavily indebted, green keyed Matrix series.
Labels:
animation,
comics,
Films,
Ghost in the Shell,
Mamoru Oshii,
Masamune Shirow,
Production IG
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