Thursday, 2 July 2020
Blackhat - Director's Cut
Michael Mann's Blackhat is about professionalism and the application of group expertise. Less ambitious action films only have room for one figure of intellectual authority, usually an infallible, young, white male who gets to hurry the whole piece forward. Supporting casts are exactly that, subordinated, typically portrayed as a gaggle of empty suits, only called on to gasp as the lead character makes their latest logical leap. Thanks to Chris Hemsworth's Hathaway, Blackhat does have its own gigantic blue eye, fortunately though Mann is more excited about collaboration - how apparently disparate outlooks and disciplines can, when correctly managed, feed back into a more dynamic, free-flowing whole.
It's this energy that carries the characters, and the film itself. Know-how is deployed as an adrenal rush that collides with, then powers through, the enemy's machinery. Each member of the unit drafted to investigate a trade exchange hack that leaves America embarrassed and China massively out of pocket has a distinct role to play. Viola Davis' FBI Special Agent and Holt McCallany's US Marshal, both prime targets for sneering contempt in a lesser piece, prove themselves indispensable to the investigation. In Mann and screenwriter Morgan Davis Foehl's film every person is in the room for a reason. The team members contribute, each bringing a specialist, singular, knowledge - not to mention slang - to the table.
Viewed in Mann's preferred cut (distribution limited to New York film retrospectives and torrents derived from American pay television), Blackhat often feels like a companion piece to the director's feature debut Thief. Both films are about experts able to surmount catastrophic situations with rapid problem solving. The rush of this incremental success blasting Hathaway and James Caan's Frank towards their conclusions. There are key differences though. Whereas Frank was prepared to isolate himself then physically tear down his life, Hathaway is actually willing to open up and collaborate. Rather than push her aside, Hathaway draws Tang Wei's cyber attack partner and love interest Chen Lien closer as their enemies draw near. This remodelling makes for a more visceral, romantic conclusion - perhaps indicative of the director's senior perspective. Mann's juiced-up, metaphysical hero has finally found a counterpart he can trust his life to.
Labels:
Blackhat,
Chris Hemsworth,
Films,
michael mann
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