Sunday, 8 September 2013

You're Next


















My favourite thing about You're Next is how different characters contextualise the danger they're in. The Davison family respond to having crossbow bolts fired at their heads as an ingrained collective, complete with interpersonal baggage. They're so self-obsessed that even in the face of annihilation they cannot conceive of a situation in which their own egos are not being managed and coddled. A life of privilege has prepared them for nothing other than success. They expect to win. They cannot think in any other direction. They approach the assault emotionally, responding to a filmic scenario in a filmic fashion. They discern narratives within their struggle and cater to them. They are fools. Erin, an Australian interloper masquerading as pliant arm candy, is completely different. At rest she demonstrates the kind of quiet self-assurance that needlers often mistake as passivity. Galvanised into action, she reacts quickly and logically, upending genre conventions by stamping them prone.

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