Although it's disappointing that James Cameron couldn't spare the time away from his Avatar sequels to give Yukito Kishiro's manga the full, gunmetal treatment, substitute director Robert Rodriguez looks like he's stepping up his action game to compensate. Rodriguez's previous attempt at adapting dynamic, black and white comics had all the elegance of a brick. Sin City may have had visual pops to spare but the grace and fluidity of Frank Miller's art was elsewhere. By comparison, Alita: Battle Angel's liquid mantling and servo-crunching mayhem is a revelation.
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