Godzilla is like Batman or James Bond. He's a character that's been around so long he can be talked about in a million different ways. A central idea invincible enough to survive any number of reboots or recalibrations. One cycle ends, another one begins. Shoring up just in time for the 60th anniversary, Gareth Edwards' take looks to be a human-centric nuclear disaster film, very much in the vein of Ishiro Honda's 1954 original and Koji Hashimoto's pearl anniversary remake / sequel. Standing in bold defiance of Roland Emmerich's puny also-ran, this Godzilla accounts for, and has some nifty ideas about, the monster's Atoll origin and American culpability.
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