The most unwanted follow-up since An American Werewolf in Paris continues the anti-wow with this red band attention grabber. Jump scares! Imperilled hotties! No obvious practical creature effects! This shit looks antithetical to the utter hopelessness the Carpenter flick routinely generated. Aside from a whip thick tentacle capped with a flower-head sucker, the biology of the creature is failing to excite. Bottin's beast was an impossible mess of innards programmed to ensnare. This calibration lacks anything approaching that level of intensity - shifting bones and bits are always concealed by elasticated, discoloured, CG skin. Deforming human shapes can be fun, but the thing shouldn't have base elements, it should be insane.
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